PRESERVING ANCIENT
FOREST MUSIC
As the modern world continues to consume massive quantities of finite
resources, our earth Mother so generously gives us, we also continue to
destroy whole society's of life. Most  are Non-human species who cannot
speak for themselves. Others are Human beings who lack the modern skills to
speak for themselves in ways that could effect change. In forgetting our role as
stewards of this planet our own arrogance threatens our own survival as well.
Most modern humans are so removed from the natural biosphere that it is
difficult for them to even consider their own role in this unprecedented
genocide. For them "ignorance is bliss". They party on while Rome burns.

As many try to educate our species as to the dangers of our ignorance, others
such as myself are trying to record as much as we can about the elder peoples
who remain connected to the natural biosphere. Ancient peoples who's arts,
spirituality, language and music are important aspects of our total humanity.
Frankly, they must be preserved for the future.

Archival recording of ancient music is one of my passions. I am always
interested in obtaining music from people who's existence is on the brink of
disaster. I believe by sharing their music and other arts with mainstream
society we can better bring their plight to the attention of those who can
effect change for the better of these ancient cultures.

Fortunately many ancient races have begun to have a voice in mainstream
society but I refuse to see this as a true fix to the over all problem of our
modern worlds greed. We need to be more alert  as well as take action to create
venues for these music forms to be heard.

For five years I hosted a world music radio show called "Music From The
Turtles Back" this show aired on the world wide web  as well as local air wave.
MFTTB featured world themes that other radio station would not consider for
their programing because these world music styles were not in demand by
mainstream society and as a result  would not sell the products commercial
stations sold to their listeners. The commercial stations would not even except
beautiful Cd's from local artists because they did not fit the format of the
station. What is Interesting to me is that these commercial stations said "no
one would listen", but they were not even willing to help build the listeners
support by giving this music a try so how do we know people won't listen
until we offer it for a trial?

If the music was not Rock, Country, Gospel, Jazz, Blues or Classical it will not
be heard by Main Stream listeners. This presents to me a form of prejudice
based in fear and ignorance. Why  will our modern FM or even AM stations
not take a chance on an incredibly rich resource of music most have never
heard? You have the answer. "Most have never heard it". And so only collage
radio is willing to take a chance. A sad reality that can be changed with a
modern approach to radio format. Remember the "airwaves" are the property
of "the people" and "we" are suppose to be in charge of what they are used for.
A Radio license is not a right, it is a privilege.

Living as I do, "off the grid and in the wilderness" I also utilize alternative
methods of communication such as satellite radio. So Imagine if you will a
totally new radio station powered by wind and sun that beams world music to
the world 24/7 and is not in any way controlled by the corporate world. No
commercials, musician supported music. Perhaps the musicians pay an annual
fee like a membership in which you get so many air time slots for your tunes
with limits so no one artists controls the air waves.

Of course this idea has some costs involved but if left as a listener/artist
supported station,  their are ways of supporting its continuance.

At the very least our elder music will have a voice without ignorance or fear of
it's commercial viability. This one act of "giving back" could enrich the
modern world.

In the words of John Lenin

"Imagine"
T.C. Coffren at WRBC
hosting his popular radio
show "Music From The
Turtles Back" which aired
from 1995 to 2000 on the
world wide web as well as
local airwaves. It was the
first American Indian show
on the web and was
featured in the Colorado
multi media summit in 1998
as the most unique use of
the web for digital media.
Tim's popular "Bull
Roarer" an ancient drone
instrument known on
several continents as a
sacred instrument. Not to
be played with but used in
serious healing work.
Tim's brother "White Bear" is a well
known drum maker. The drums
represent a small sample of his work.